About
To create and sustain a living cultural campus where classical music, dance, visual arts, and artistic training are accessible to all, in a setting that bridges formal arts education, public exhibition, and the informal encounter of the arts with everyday life.
Triveni Kala Sangam is a cultural arts complex and education centre at 205 Tansen Marg, between Mandi House roundabout and Bengali Market, New Delhi. Founded in 1950 by Sundari K. Shridharani, Triveni (the name literally means 'confluence of arts') was begun in a single room above a coffee house in Connaught Place with two students and a donation of one hundred rupees. Following an allotment of land from Prime Minister Nehru, the present building was designed by the American architect Joseph Allen Stein and inaugurated on 3 March 1963. The complex houses four art galleries (the Shridharani Gallery, the Triveni Gallery, an open-air Sculpture Court, and the Art Heritage Gallery founded in 1977 by Roshen Alkazi), an open-air amphitheatre, a chamber theatre with air-conditioning and sound absorption, a library, a recording studio, a photography unit with darkroom, a tea terrace and café, a bookshop, and extensive arts education facilities including instruction in classical Indian dance (Kathak, Manipuri, Bharatanatyam), Indian classical music, visual art, ceramics, and glass art. Triveni is a self-supporting non-profit arts complex.
Triveni Kala Sangam is a testimony to the conviction, over several decades, of one woman. Sundari K. Shridharani was born in Hyderabad, Sindh, in 1925 and trained in dance at Santiniketan and later at Uday Shankar's cultural centre in Almora, where she studied Kathakali and Manipuri dance. When she came to post-independence Delhi, she was struck by the absence of a space where classical arts could be practised, taught, and encountered by the public without the exclusivity of either the formal concert hall or the elite private mehfil.
Her beginnings were deliberately democratic: she started Triveni in 1950 in a room above a coffee house in Connaught Place, with two students and a donation of one hundred rupees. Word spread, and her efforts were noticed at the highest levels. Prime Minister Jawaharlal Nehru, recognising the value of her work, allotted her half an acre of land on Tansen Marg, in the emerging cultural district around Mandi House that was being planned as the heart of independent Delhi's cultural life.
The building that arose on that land was a collaboration between Shridharani's programmatic vision and the architectural genius of Joseph Allen Stein. Stein, an American trained in California who had come to India and would go on to design the India International Centre and the India Habitat Centre, brought to Triveni his sensitivity to climate, light, and the Indian tradition of the courtyard and the jali screen. The building, inaugurated on 3 March 1963, is one of the icons of post-independence architecture in Delhi: multiple blocks each designed for a specific purpose, joined by a jali-screened foyer, with open-air and indoor performance spaces, gallery rooms, and education facilities woven together into a campus of great intimacy and purpose.
The Mandi House area, of which Triveni is the most emblematic institution, became precisely the cultural hub it was intended to be: over thirty auditoriums and galleries in close proximity, the hub of Delhi's performing arts and cultural life for half a century. Sundari Shridharani lived within the Triveni premises and presided over it with what observers recall as steely dedication to quality, resisting the drift toward commercialisation that affected other arts centres. She was awarded the Padma Shri in 1992. She died on 7 April 2012, aged 87, in the complex she had built.
In 2025, Triveni celebrated 75 years with a special programme honouring its founding vision. It continues to operate as one of Delhi's most essential independent cultural spaces.
Visit & Access
Located between Mandi House roundabout and Bengali Market on Tansen Marg. Easily accessible from Mandi House Metro station (Blue and Violet lines). Gallery timings vary; check the website for current exhibition schedules. The tea terrace is open during the day.
Founding & Leadership
Sundari K. Shridharani (6 April 1925, Hyderabad Sindh — 7 April 2012, New Delhi) was a dancer, cultural entrepreneur, and founder of Triveni Kala Sangam. Trained at Santiniketan and at Uday Shankar's cultural centre in Almora in Kathakali and Manipuri dance, she came to post-independence Delhi and built Triveni from a single room into one of the city's most enduring cultural institutions. She lived within Triveni's campus and presided over it for over six decades, receiving the Padma Shri in 1992.
Leadership & Trustees
Initiatives & Portfolio
The largest gallery at Triveni, showcasing established and emerging artists.
Commercial gallery dedicated to modern Indian art, founded in 1977 by Roshen Alkazi.
Open-air sculpture exhibition and interior gallery for emerging artists.
Performance venues hosting classical music, dance, theatre and literary events throughout the year.
Classes in Kathak, Manipuri, Bharatanatyam, Indian classical music, painting, sculpture, ceramics, glass art.
Triveni Kala Sangam holds a unique position among Delhi's cultural institutions because it was built from the ground up by an individual rather than by the state, and because it has maintained its character as a working cultural campus, not simply a heritage building or a venue, for 75 years. Its founding moment, a single room above a coffee house, is a reminder that institutional culture in independent India was created by individuals of conviction, not only by policy. Its Stein-designed campus is an architectural landmark in its own right. Its Art Heritage Gallery, founded by Roshen Alkazi, is one of Delhi's oldest dedicated commercial galleries. And its tea terrace, perhaps unlikely to be remembered in cultural histories, has been a gathering point for artists, students, and intellectuals for generations, a reminder that the informal social life of a cultural institution is as important as its formal programming.
Triveni Kala Sangam is 75 years old and still working, which is a more remarkable achievement than it might appear: sustaining a self-supporting, non-profit arts complex in a city where real estate pressure is relentless is genuinely difficult. Its galleries represent one of Delhi's most accessible exhibition contexts for both established and emerging artists. Its arts education classes remain among the most affordable in the city. For the Atlas, Triveni is notable not only as an institution but as a model of what a multi-purpose urban cultural campus looks like when it has had the time, the building, and the institutional will to develop fully.