Artform·The Mystical Classical Music of Kashmir

Sufiana Kalam

Maqam and santoor in the service of divine love
The classical choral music of Kashmir, a maqam-based ensemble tradition of mystical Sufi poetry led by the santoor, born of a 15th-century synthesis of Persian, Central Asian and Indian music and now critically endangered.
Classical ensemble music Classical Origin · Kashmir Valley Emerged in the 15th century from Persian/Central Asian and Indian synthesis The distinct regional classical tradition of Kashmir; based on the maqam system Critically endangered; only a few gharanas and masters remain 1 practitioners on the Atlas
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Origin & evolution

Sufiana Kalam (or Sufiana Mausiqi) is the classical choral music of the Kashmir Valley, born in the 15th century from the intercultural synthesis of Persian, Central Asian and Indian music that followed the arrival of Sufi Islam. Its base is the maqam, a modal concept close to the Central Asian maqamat and to the Indian raga. It was patronized by sultans such as Zain-ul-Abidin and Hassan Shah, and the poetess-queen Habba Khatun is credited with introducing a maqam called Rast-e-Kashmir. The word Sufiana ("mystical") reflects its Sufi poetic texts.

Why Sufiana Kalam

Sufiana Kalam is mystical music in which the lyric predominates over the mode: mostly Sufi poems in Persian and Kashmiri on divine love, sung by an ensemble to the shimmering santoor. The maqams themselves are understood as stages a Sufi's soul must attain in its search for God, making the music a spiritual discipline as much as an art.

The tradition & its craft

A performance opens with the Shakal, a slow instrumental prelude on the santoor that introduces the maqam, before the ensemble sings the composition. There are twelve principal maqams (Rast, Isfahan, Araq and others) and a tala system with talas such as Yaktala, Sehtal and Duroya. The santoor, a hundred-stringed instrument struck with wooden hammers (kalam), leads, with the saz-e-Kashmir, setar, wasool and tabla in support. A related female dance, Hafiz Nagma, once accompanied it but was banned in the early 20th century.

Types & forms

Maqam compositions
Ensemble settings of Sufi poetry in the twelve principal maqams
Shakal (prelude)
The instrumental santoor introduction to a maqam

Masters across the generations

Ustad Ramzan Joo
20th c.
Master of difficult maqams of Sufiana music. Historical, legacy context only
Habba Khatun
16th c.
Poetess-queen credited with the Rast-e-Kashmir maqam. Historical, legacy context only
Surviving Sufiana gharana ustads
Contemporary
The few living masters sustaining the tradition

In cinema & popular culture

Sufiana Kalam and its instrument the santoor have influenced wider Indian music (the santoor entering Hindustani classical and film music), even as the choral tradition itself has receded from public life and radio.

Contemporary presence

Sufiana Kalam is critically endangered: a handful of aging masters and a few surviving gharanas sustain it, the associated Hafiz Nagma dance has largely vanished, and younger generations have turned to more popular music, making preservation an urgent concern.

Across the regions

Sufiana Kalam belongs to the Kashmir Valley, historically spread through many gharanas across the region; today only about four gharanas survive, concentrated around Srinagar, and the tradition is widely described as being on the brink of extinction.

Further reading

Sufiana Mausiqi: Kashmir's classical music
Rupkatha Journal / Pacholczyk
On the maqam system and the tradition's decline

The Atlas perspective

[Atlas Assessment] Sufiana Kalam is a distinctive but critically endangered classical node with graph links to Kashmir, the santoor, Sufi poetry and Central Asian maqam traditions. The Atlas records its near-extinction honestly (a low continuity score) rather than presenting it as healthy, and flags it as a priority preservation subject.

Strong on origin, maqam system, instruments, patronage and endangerment. · confidence High · last reviewed 2026-08-29

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