Artform·The Women's Harvest Songs of the Plateau

Bhadu and Tusu

Virgin goddesses honoured in improvised song
A pair of women's folk-song traditions of the Chhota Nagpur plateau (West Bengal, Jharkhand, Odisha), sung to the folk goddesses Bhadu and Tusu, both imagined as young unmarried girls, during the early-rice and winter-harvest festivals.
Folk / festival song Folk Origin · Chhota Nagpur plateau (Purulia, Bankura, Paschim Bardhaman; Jharkhand; northern Odisha) Old agrarian folk traditions (Bhadu said to be around four centuries old) Living folk-song traditions of the Kurmi and neighbouring communities; largely non-religious, women-led Living; central to plateau harvest festivals
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Origin & evolution

Bhadu and Tusu are folk-song traditions of the Chhota Nagpur plateau, where the states of West Bengal, Jharkhand and Odisha meet, home to Kurmi, Santhal, Oraon, Munda and other communities. Bhadu is celebrated in the month of Bhadra (August-September), tied to the early rice harvest, and honours Bhadu (Bhadreswari), remembered as a princess of Kashipur in Purulia who became a beloved cult figure; the tradition is said to be some four hundred years old. Tusu is a month-long winter harvest festival through Poush, ending at Makar Sankranti (mid-January), honouring the goddess Tusu, conceived as a virgin girl.

Why Bhadu and Tusu

These are women's songs of harvest and devotion to girl-goddesses: both Bhadu and Tusu are imagined as young unmarried girls, and their songs, composed on the spot and sung largely by unmarried girls, describe the goddess lovingly, invoke prosperity, and voice the joys, longings and hardships of rural life. Notably, Tusu is often described as a non-religious, community folk festival as much as a worship, making these among the most participatory women-led song traditions of eastern India.

The tradition & its craft

Bhadu geets are composed extemporaneously and sung on each night of the festival, depicting the goddess as a young girl and describing how she will be entertained, accompanied by dancing and drums. Tusu songs, in Bengali or Kurmali, are improvised by womenfolk around a decorated idol, dwell on harvest wealth ("ghee of 32 cows," "rice of fine paddy") and rural life, and climax with a procession to a river and the immersion of the idol amid emotional farewell songs.

Types & forms

Bhadu Geet
Early-rice-harvest songs to the goddess Bhadu (Bhadra month)
Tusu Geet
Winter-harvest songs to the goddess Tusu (Poush to Makar Sankranti)

Masters across the generations

Women of the Kurmi and plateau communities
Traditional / contemporary
Community bearers, especially unmarried girls, who compose and sing

In cinema & popular culture

Bhadu and Tusu songs are documented in folk-song archives and cultural media as emblematic women's traditions of the Rarh and plateau regions, and appear in Bengali and Jharkhandi folk-music collections and recordings.

Contemporary presence

Both traditions remain living and widely practised in their home regions, central to the plateau's harvest-festival calendar, sustained especially by women and girls, and increasingly documented as intangible cultural heritage.

Across the regions

The traditions span the plateau districts of Purulia, Bankura, Paschim Bardhaman and Birbhum in West Bengal, across Jharkhand, and into northern Odisha (and, for Tusu, parts of Assam), sung by the Kurmi and neighbouring communities within a wider cluster of harvest festivals that includes Karam and Bandna.

Further reading

Tusu: a harvest festival of Chhota Nagpur
Sahapedia and Bengali folk-song scholarship
On Bhadu, Tusu and plateau harvest song

The Atlas perspective

[Atlas Assessment] Bhadu and Tusu form a strong folk-festival node with graph links to the Chhota Nagpur plateau, the Kurmi community and the Karam/Bandna harvest-festival cluster. The Atlas builds them as a single paired form (matching the source listing) and, as communal women-led traditions, names community bearers rather than inventing a master canon.

Strong on both festivals, goddesses, women-led performance, region and continuity. Communal form; no named-master or work canon, stated honestly. · confidence High · last reviewed 2026-08-29
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